Fall in the Big Apple!

So, I’ll be in New York City again this fall for another exhibition at Agora Gallery.  Yay!  I love New York!  This year though, I’m really going to love it…for three reasons.


First, well…it’s NEW YORK!  I know…I don’t get out much, but come on!  The city that never sleeps, the bright lights, the people, the galleries…I could go on, but I’m sure you get the idea.  Plus, this is my third (!) New York show.  Agora Gallery is a great gallery and I’m so privileged to be showing there.  My first New York show culminated with one of my images being projected onto the side of a skyscraper - which, unfortunately, I didn’t get to see, but heard it was very cool. Here are just a few images being shown in October. 

Second, when I completely compressed my Ulnar nerve from lugging around a seven pound lens I had the pleasure of meeting an occupational therapist who has a son in New York who is a Firefighter and also happens to be a photographer.  You can imagine where my mind went with that - photographically speaking!  But the best part is that she told me he has access to the old underground.  Now that in itself is worth the ticket!  Ghostbusters anyone?

And last, but not by any stretch of the imagination, least, my new Artist’s Rep, Carey Rose O’Connell from RoseBrand Consulting Services will be joining me!  It’s a great opportunity for both of us to spread the word about her work and mine.  She is a workhorse and really cares about her clients.  The great thing though, is that she actually shows you how to do some of it yourself so you’re not totally dependent on another person to do ALL of your brand interaction.  It’s very empowering.  

I want to interject a little something here as well.  As artists, we want to focus on our art, not marketing, which is a huge mistake.  I’m totally guilty of that myself and that’s why I made RoseBrand part of my team.  Plus, I don’t really understand the licensing piece of it either, so once again, it’s RoseBrand to the rescue!

But I think the thing that’s going to be the most fun for both of us is that she’s never actually been to New York.  It’s going to be amazing introducing her to the city that is New York. And…we’re going to hit up the PhotoPlus International Expo and Conference while we’re there.  So much fun is packed into the few days we’ll be there, but man…I for one, can’t wait!

Until next time…

Still Me...After All These Years

I've had the pleasure of working with Karen Walker on two separate occasions now. The first project was a novel entitled "The Wishing Steps". We collaborated on her cover and her author photo. It was hugely fun and my first stab at compositing. While I was nervous about it, it all turned out to be a fabulous project.


Karen is an amazing writer and with several other books under her belt, why wouldn't she be? It takes tremendous courage to put yourself out there in the world like that...way more than I have to be sure. She has put together another book...an anthology on aging which was a tremendous effort by 24 writers in total. This one is entitled "Still Me...After All These Years". Each essay contained within the anthology had to first be read, then edited, then the tough part...she had to decide whose essay would be included. That had to be tough!


Once again, Karen tapped me to do the cover and since she already had many author photos from our previous work on "The Wishing Steps", she chose a new one for her author photo. We had a couple of concepts for the cover, but in the end, this one was the most direct and poignant. After all, who hasn't looked back on their life and thought, "man, didn't those years go by in a blink." Please join me in welcoming this wonderful compilation. It is available for pre-order on Amazon.

Until next time...

Wow! You Must Have a Great Camera!

I am extremely lucky to have several cameras, lenses, computers, printers and lighting packages. My favorite is naturally, my cameras. They range from a 1914 Autographic Kodak Jr. to a Pentax K3 and my iPhone (which I love!), though I do have my eye on a K1 and/or a 645Z medium format. I know...everyone reading this will probably think, why would you shoot with Pentax instead of Canon, Nikon, Sony or any other popular brand. Frankly, I've been a Pentax shooter since 1978 - way back in the dark ages - with real film and a real darkroom! Besides, I like the way it feels in my hand. I've tried two of the top brands and I didn't like them. Just personal preference. Not to mention they were almost double the cost of my trusty Pentax and the reviews state exactly that...comparable to the top brands, hands down, at half the cost. Also, I like being different.

All that said, it isn't the equipment, accessories and toys we buy that make the photographer, it's the skill level they possess. I can't tell you how many times I've had people say, "Wow!  Your work is amazing! You must have a GREAT camera!" Really? That's a bit insulting when you think about it. No one takes into account that you have to know so much technical stuff these days, in addition to the usual rules of photography. It makes me want to slap somebody when they say that!

Being a photographer is so much more than having great equipment and toys. First, we are visual artists. Yep, I said it...the "A" word! It takes an eye that most people don't have. People walk through their day and don't notice much of anything. Non-photographers hate going places with me since it takes two to three times longer to get anywhere because I'll see something and have to stop to shoot it - and not just with my regular camera, but usually also with my infrared camera and my iPhone. So when I stop to shoot something, most people tell me, "I didn't even notice that." Well, there you have it. An artist's eye is the first thing.

Next, we have to have a handle on the composition and light. I took a still life class once only to realize how much I didn't know about lighting, even though I had taken a lighting class previously. When looking at my work, the instructor would look and me, point and ask, "what is that"?  I'd look at it and say, "I didn't even see that." His favorite response was, "what else have you got to do, but see?" He was right. Seeing the image in the viewfinder in addition to the light in the scene is a major deal. Is your viewer going to look at your work and say, "what is that" or "the light doesn't feel right". Trust me, that's not a good thing especially when it's such an easy thing to fix. And incidentally, a portable reflector (preferably a 5-in-1) is a great accessory for your kit.

Finally, once the shoot is done, comes the post-processing. This is what comes after you decide which images make the cut once they're downloaded. Another instructor I had once said it's best to shoot in RAW (with the most information to work with), shoot clean, then make any [minimal] changes you need to in post. It's better to get your shot as close as you can to what you see in your mind's eye in camera, rather than try to achieve it in post. Sometimes it just doesn't work. I mean, really...who wants to spend hours sitting at the computer processing images? I'd rather spend my time out shooting. I have to wonder at people who have an amazing image and then they tell me it took them 20 hours(!) on the computer to get it the way they wanted it. Yikes! That's almost three whole days! On ONE image! Way easier on your numb butt to do it right in the first place, wouldn't you agree?

Generally speaking, my post-processing involves doing a minor exposure adjustment, if any, tweaking the shadows and highlights, blacks and whites, contrast, clarity and vibrance/saturation. 

Here's the process:

  • Shoot (in RAW)
  • Download
  • Embed your copyright
  • Do a general keyword pass
  • Do a quick pass of the downloaded images and star the ones you like, then step away for a couple of days
  • Post-process your images
  • Backup your work
  • Print (lab or your own printer)
  • Sell
  • Repeat
  • That's it...easy peasy.

So the next time someone says "Wow! You must have a great camera!", your response should be "no, I'm an artist with a great EYE and skill set!"

Until next time...



Infrared Photography

Recently I had my old camera converted into infrared - 720 to be exact.  I had no idea what to expect other than the infrared photography I’d seen done by some photographer friends was stunning.  I love the different perspective and colors that appear seemingly from nowhere.

Some images that I think will look great turn out to be not very special.  But I got some tips from one of my National Geographic instructors since she also loves IR.  And she was right.  One of the tips is that you never know where your focus will be even if you think that it looks right in the camera, IR will trick you, then whammo!…you download it to your computer expecting one thing and you have an entirely different thing. It can be exhilarating and frustrating, but I'm so enamored of what I do get that I'm very forgiving.  

The other thing is, it seems that the IR sensor only changes certain ranges of greens.  I was expecting ALL foliage to turn whitish blue and it doesn’t.  I’m delighted when it does, other times, not so much.  In addition, it turns blue skies brown or black.  And not a yucky muddy color either, but this rich, deep color that makes the clouds look so gorgeous you can't stop looking at them.  A lot of people turn their IR images into black and white versions, but I like them the way they are - straight out of the camera.

So, my advice to anyone wanting to get into IR is, don’t get all serious, because it will lead to frustration and ultimately you will end up hating IR.  Just play and let things happen.  You won’t be sorry.  It’s a whole other way to express your art and you will be amazed at some of the stuff you turn out.

One other side note…if you have an old camera that you want to convert to IR, choose the company wisely.  Do your research.  I didn’t because I was so excited to have it done and I paid the price - literally and figuratively.  Don’t fall for a slick looking website and a fast-talking rep like I did.  I’m not mentioning any names, but suffice it to say the company’s initials are LP.  Stay as far away from them as possible.  REALLY bad news.  If anything goes wrong, they will try to blame it on you when it’s really their fault.  And it doesn't stop there.  Fair warning.

I used Kolari Vision and they were fantastic!  I recommend them highly.  I dealt with Ilija and he kept me informed every step of the way.  It was an awesome experience to actually deal with someone who knows what they’re doing and what they're talking about.  Phew! That was a long side note. 

Let's just say that if you let your inner child come out to play when you’re out with your IR camera, you will never be sorry.  It’s way fun and like I said…exhilarating.

Until next time…

A New Year, A New Beginning

Here we are in a time when a new century holds all that gets to be named "current"! I remember being in elementary school and them telling us that there would be flying cars and all kinds of futuristic stuff by the time the new millennium rolled around.  Flying cars mostly. Well, we do have loads of futuristic stuff that we couldn't really conceive of as children, but it's not quite what they told us it would be.

That said, I spent most of today editing digital images.  Yes, digital.  Bear in mind that I started in photography wwwaaayyy back in the day. No really, way back when FILM was what you shot with and didn't know what you had until you got your roll(s) developed and had prints and negatives to look at. My instructors then told us that if you had two good images from a roll of 36 exposures, you were doing well.  TWO???!!! That could get seriously expensive!  Not to mention the many clothes I ruined in the darkroom from renegade splashes of developer, fixer, whatever.  AND my (then) wedding ring. No...we didn't wear aprons or gloves for protection.  Now we know better of course.  Mostly.

So, back to digital images...  I've been submitting my photography here and there and with the help of a Creative Consultant and a Design Consultant, have managed to get representation from a gallery in NEW YORK!  In the CHELSEA DISTRICT!  Can you say EXCITED!!!  Sorry for all the caps and exclamation marks.  I couldn't help it.  So, I submitted 16 digital images to the gallery via the internet and now I'm freaking out a little.  Well, more than a little.  Ok, A LOT!  I even had to do a new headshot.  No easy feat since I abhor having my picture taken, but I have a great friend (thanks Monica!) who did a phenomenal job.  Ironic, right?

I'm getting to show my "real" work in New York to people who might judge my work, judge me, and tell me I'm a fraud.  How have I turned into a neurotic artist?


I shoot lots of things - wildlife in particular, comes to mind - but my love and passion is abstract botanicals.  Yep - I said it.  Abstract.  Botanicals.  What the hell does THAT mean you might ask.  Or not.  But either way, I'm totally taken in by light, shadow, lines, texture and soft or vibrant colors. Especially in flowers and plants.  I love my macro lens and my 300mm telephoto.  If I didn't have to work, I'd be off somewhere different on the planet every day.  My boys think I'm crazy, but I think I've earned it.  I raised my family first and pursued my passion later.  I have these grey hairs for a reason and (mostly) wear them proudly!

So I'm going to show you some of the submitted images, but you are not allowed to judge. My Mom used to say, "if you can't say something nice, don't say anything at all." You wouldn't want to bruise my fragile psyche, would you?

Until next time...